Brooke Theater was known as ‘Lenfant Terrible’, capable of collaborating institutionally with recent innovations and commercial theater. Photo: EFE

Theater director Peter BrookLegends of the 20th and 21st centuries, died on Saturday 97 yearsAs developed this Sunday, July 3, the newspaper Le Monde.

Born London In 1925, the son of Jewish immigrants from Latvia, Brooke settled in Paris in 1974 where he spent most of his life and where he made a recovery. Old theater To turn it into one of the most modern stages of the Bofেসs du Nord Theater in the French capital.

There he was able to practice the synthesis of his stage research in works such as ‘An Enchanted Flute’ based on Mozart’s creation.

Brooke Theater was known as ‘Lenfant Terrible’, capable of collaborating institutionally with recent innovations and commercial theater.

He learned from the best, especially while in New York, where he brought Tennessee Williams ’‘ Cat on a Hot Teen Roof ’to the stage, but also the creation of Arthur Miller or Jean Janet.

It was beyond his creation and guidance ‘Titus Andronicus’ In the Royal Shakespeare Company which marked his career and before and after Own performing art Where he imposed a new perspective on the work of the most recognized English writer.

Left the traditional theater

In 1970, Brooke introduced his idea Abandon theater Creating an international theater research center with actors from around London and around the world, with whom he has performed in search of a new connection between acting in America, the Middle East, Africa and, above all, peripheral places and slums. Public and interpretation.

This reflection is available Origin of Bouffes du NordA room that he accidentally discovered when it was in ruins and where, maintaining that decaying consciousness, he launched a theater that manifested itself in “a more concentrated human experience,” which in his view was theater.

“Brooke has identified a generation of artists. I discovered him when I was 16 and I arrived in Paris and discovered another way to do theater in it. The theory of his space comes with me every day, as well as the actor’s place, his way of managing,” Daniel San Pedro, who recently directed “Andando Lorca 1936” at Buffes du Nord, told EFE.

For San Pedro, bilingual because of its Spanish roots, Brooke It brings a modernity and an openness to the theater by mixing the languages ​​and artists of different countries without any problem.

“His adaptation to La Tempestad had an impact, as well as his Carmen Con Opera singer. La Bofes du Nord, where I have hosted several shows, is a place of magical spirits, where he was, where all the artists dream of acting, ”he added.



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